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μια που το αναμοχλεψες το θεμα να προτεινω ενα βιβλιο που διαβαζω τωρα: Living Electronic Music του Simon Emmerson. το βιβλιο πραγματευετε θεματα κυριως μουσικολογικου ενδιαφεροντος και οχι τεχνικα για να μην παρεξηγηθω.
και ενα αποσπασμα απο το οπισθοφυλλο:
"What is to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials, some created beforehand in a studio, some coded 'on the fly', others 'plundered' from the wildest possible range of sources. But others refuse to abandon traditionally 'created and structured' electroacoustic work. Lying behind this maelstrom of activity is the perennial relationship to 'theory', that is, ideas, principles and practices that somehow lie behind composers' and performers' actions. Some composers claim they just 'respond' to sound and compose 'with their ears', while others use models and analogies of previously 'non-musical' processes"
και ενα αποσπασμα απο το οπισθοφυλλο:
"What is to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials, some created beforehand in a studio, some coded 'on the fly', others 'plundered' from the wildest possible range of sources. But others refuse to abandon traditionally 'created and structured' electroacoustic work. Lying behind this maelstrom of activity is the perennial relationship to 'theory', that is, ideas, principles and practices that somehow lie behind composers' and performers' actions. Some composers claim they just 'respond' to sound and compose 'with their ears', while others use models and analogies of previously 'non-musical' processes"