Το έγραψα επανελλειμένως το site....
καταγράφω τώρα και τα λόγια του....
Fender Super Twin, suggested Gilmour David settings
Normal channel – volume 7.5, treble 4.5, middle 5.5, bass 3.5, presence 7, master 4
The Fender Super Twin is hated by some and loved by others. The tone is somewhere between a Twin Reverb and the old Bassman heads – dark, creamy and insanely loud. The settings should apply for most Twin/Bassman models with some adjustments. This amp was used for most of my guitar parts on the first Airbag album, Identity. Including the solo on Sounds That I Hear. I think I used a Telecaster and a Boss BD2 for a mild crunch. An Shure SM57 was placed one or two inches off the grill but way off center, creating this very dark, muddy tone.
The settings above should apply to most amps, although you might need to tweak them some. The idea or principle is to get a clean tone with a mild bite and natural compression. Solid states and modelling amps will perhaps require a bit more fine tuning. Be careful with the typical bright transistor treble and either switch off any amp simulations or at least use one that is as transparent and clean as possible.
I’m sure that by now you are scratching your head and wonder why the hell this should be so complicated. Well, choosing which amp to buy isn’t any harder than deciding on a guitar but the more you are aware of how you’ll be using the amp and having some basic technical knowledge, will help you in getting the best amp for your setup and ultimately the tones you’re looking for..... κτλ κτλ κτλ.......
καταγράφω τώρα και τα λόγια του....
Fender Super Twin, suggested Gilmour David settings
Normal channel – volume 7.5, treble 4.5, middle 5.5, bass 3.5, presence 7, master 4
The Fender Super Twin is hated by some and loved by others. The tone is somewhere between a Twin Reverb and the old Bassman heads – dark, creamy and insanely loud. The settings should apply for most Twin/Bassman models with some adjustments. This amp was used for most of my guitar parts on the first Airbag album, Identity. Including the solo on Sounds That I Hear. I think I used a Telecaster and a Boss BD2 for a mild crunch. An Shure SM57 was placed one or two inches off the grill but way off center, creating this very dark, muddy tone.
The settings above should apply to most amps, although you might need to tweak them some. The idea or principle is to get a clean tone with a mild bite and natural compression. Solid states and modelling amps will perhaps require a bit more fine tuning. Be careful with the typical bright transistor treble and either switch off any amp simulations or at least use one that is as transparent and clean as possible.
I’m sure that by now you are scratching your head and wonder why the hell this should be so complicated. Well, choosing which amp to buy isn’t any harder than deciding on a guitar but the more you are aware of how you’ll be using the amp and having some basic technical knowledge, will help you in getting the best amp for your setup and ultimately the tones you’re looking for..... κτλ κτλ κτλ.......
) έχω δει Marshall VBA400 το οποίο δούλευε ΣΤΗΝ ΤΣΙΤΑ για πολλή ώρα να "τινάζει τα πέταλα" και τον Multitone σε 2Χ12 που χρησιμοποιούσα τότε να πασχίζει να τον φτάσει.
