τι κανουν οι χορηγιες ε?
ο schaffer παιζει με les paul studio (and no standar) και μετα την βρισκει κλαση καλυτερη απο b.c rich rigo custom που εχει , για τσεκαρετε ..εχει ενδιαφερον
JS: Well, that's [
Gibson] all I've actually ever played in the studio. I've never recorded a record with B.C. Rich. The only album I ever did [with a B.C. Rich] was Alive in Athens. Because I used them on tour, they were giving me guitars and we worked out a deal. But at the end of the day, I really don't like their guitars as well as I like Gibsons. They don't have the right tone. That's why I never used them in the studio. For that really fast, low-end chunk, you've got to have a Les Paul, man. That's THE guitar for my style, anyway. All these younger kids were starting to buy B.C. Riches and stuff, and I felt kind of hypocritical, actually. I'm thinking, "These kids are getting inspired by my playing, or whatever, and they're going out and buying these guitars and it's not really what I use." I used them on tour, but live is a whole different world than when you're in the studio. Another thing is the weight. I'd be playing a Les Paul every night. I used to play them every tour up until Dark Saga, after Dark Saga,
let's put it that way. I was using a Les Paul Studio live. I recorded albums with that guitar but I retired it from the road 'cause it's beat all to hell and I don't want to tear it up. Any more, anyway (laughter). And then I got the deal with B.C. Rich and I started using them live, but they just don't have that kind of tone. I even told them, "Build them like a Les Paul." I told the guys at the shop to do that. It's just one of those things. I felt bad that all of theses kids were buying B.C. Riches and I really play Gibsons. And with my neck, the problems that I have with that and the weight of a Les Paul I can't play that any more.