Παράθεση απο review στο "sound on sound magazine"
Leaving the sonic merits to one side, the ADI2 has some practical limitations compared to many state-of-the-art converters. For example, the A-D and D-A stages can't be used as completely separate units, running at different clock rates; the output cannot be dithered down to lower word lengths to suit CD-R and DAT recorders
To εδάφιο μου φαίνεται ασαφές-Τι εννοεί ο ποιητής ?
Λέι δηλ. οτι οι A/D,D/A convertors δουλεύουν ζευγαρωτά 16bit/44.1 KHz, 24bit/48KHz
και δεν θα παίξουν ένα cubase project 24bit/48KHz ή εννοεί κάτι άλλο ???
Leaving the sonic merits to one side, the ADI2 has some practical limitations compared to many state-of-the-art converters. For example, the A-D and D-A stages can't be used as completely separate units, running at different clock rates; the output cannot be dithered down to lower word lengths to suit CD-R and DAT recorders
To εδάφιο μου φαίνεται ασαφές-Τι εννοεί ο ποιητής ?
Λέι δηλ. οτι οι A/D,D/A convertors δουλεύουν ζευγαρωτά 16bit/44.1 KHz, 24bit/48KHz
και δεν θα παίξουν ένα cubase project 24bit/48KHz ή εννοεί κάτι άλλο ???